Stone Arch Sessions: Genevieve Heyward w/ Caitlin Cannon

Join us for a special Wednesday evening Session with Nashville's Genevieve Heyward (Fresh off her American Idol debut and golden ticket award) and Side Pony's Caitlin Cannon.

When:

Wednesday, February 11, 2026

at

7:00 pm

Where:

The Taproom

Doors 5pm - Music 7pm - $10-$15 Suggested Donation

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Join us for a special Wednesday evening Session with Nashville's Genevieve Heyward and Caitlin Cannon.

Genevieve Heyward is a Nashville based indie rock artist whose career has been nothing short of a whirlwind. With a knack for authentic lyrics and a witty sense of humor, Genevieve has captivated audiences both nationally and internationally. She’s opened for well renowned artists such as Gayle (‘abcdefu’), Butch Walker, Eric McFadden (George Clinton and P-Funk), Ethel Cain, Willie Carlisle, and Pat McDonald (‘Future’s So Bright I Gotta Wear Shades), with more in the works. She recently appeared in the popular ABC hit show ‘American Idol’ this year and was awarded a Golden Ticket to Hollywood!

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Caitlin Cannon’s songwriting expertly walks the tightrope between humor and heartbreak, satire and sincerity. She disarms listeners before pulling them into raw explorations of loss, love, and addiction. Think ‘Cosmicana’—a sonic landscape as deep as Cannon’s storytelling on her 2025 LP Love Addict, produced by Misa Arriaga (Kacey Musgraves, Willie Nelson) where dreamy Americana meets classic country. The genre bend makes sense given Cannon’s broad influences from early ’90s country icons like Pam Tillis—who also makes a cameo in the Love Addict music video—to songwriting legend Lucinda Williams, who has publicly praised Cannon’s work.

Beyond music, Cannon is a force of creative energy. From her comedic debut on Kill Tony to teaching songwriting to inmates through Beyond Bars—a collaboration with the Cultural Arts Alliance of Walton County and the 30A Songwriters Festival—she defies easy categorization. Her work bridging art and social impact has earned her a first-place finish at Songwriter’s Serenade, third place at the Telluride Troubadour Contest, and a finalist spot in the American Songwriter Song Contest. Still, Cannon’s performances remain as funny as they are important, a balance critics have noticed. Saving Country Music described her as “a hilarious person on stage who could have a second career as a comedian… one of those country artists that slides so criminally under the radar; it angers the blood.”

Performing

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